Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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new york times
a can can dance from offenbach s la vie parisienne

ID: 60361

new york times a can can dance from offenbach s la vie parisienne
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new york times a can can dance from offenbach s la vie parisienne


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new york times

  Related Paintings of new york times :. | Riding to the Hunt | Noli Me Tangere (mk05) | Judith and Holofernes, oil on canvas painting by Thomas Le Clair, c. 1860 | Siberian Sheepdogs (mk34) | Tsarina Marina Mniszech in coronation robes |
Related Artists:
Johnson Joshua
African-American Folk Artist, ca.1763-1824
BLANCHARD, Jacques
French Baroque Era Painter, 1600-1638 He trained with his maternal uncle Nicolas Bollery (c. 1550/60-1630) from 1613 to 1618. He then set off for Italy but stopped at Lyon to work in the studio of Horace Le Blanc. Le Blanc left for Paris in 1623, and Blanchard is known to have finished a number of his works left in Lyon, including perhaps the Virgin and Child with a Bishop and a Woman Holding a Baby (Lyon, St Denis). At the end of October 1624 he reached Rome in the company of his brother Jean Blanchard, remaining there until April or May 1626. He was then in Venice until 1628, when he returned to Lyon via Turin.
Philipp Peter Roos
(later surnamed Rosa di Tivoli; 1651-1706), was a German Baroque painter. He was born in Frankfurt am Main and learned to paint from his father, the landscape painter Johann Heinrich Roos.He was the brother of the painter Johann Melchior Roos, who briefly worked with him in Italy. As a young man, he painted in the style of his father. He was called to paint for Charles I, Landgrave of Hesse-Kassel, who liked him so much, he gave him a sum of money to travel to Rome with,which he did in 1677. He became a member of the Bentvueghels with the nickname "Mercury" and earned money making small paintings and sketches for tourists. He fell in love with the daughter of Giacinto Brandi, whom he later married. They lived in a large house in Tivoli, near Rome, whence his surname. In Tivoli, they kept a menagerie of various animals so Roos could draw from live poses. This house was called the "Noah's Ark" by their friends. In his Italian style, he painted life-size figures and animals in a broad manner and a heavy brown tone.






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